
My independent research project focuses on the cognitive aspects of improvisation, combining the paradigms of music, memory, and speech.
My guiding questions are:
Specifically, I am interested in the ways rhythm patterns help the brain move forward through improvisation in jazz and whether there are similar processes that can be isolated and developed to help those who have experienced a traumatic brain injury (TBI) and have aphasia recover their ability to speak more easily in conversation.
My hypothesis is that the brain function developed by jazz musicians and especially percussionists as they learn to improvise may be useful in retraining the brain of someone who has experienced a TBI with aphasia (loss of speech).
While it is not clear yet whether the same neurological processes are at play in both instances, I am conducting scholarly research to establish whether there is a neurological overlap.
I am also recording interviews with people who have both experienced TBIs and have a strong interest in or ability and background in jazz.
My goal is to find a way to help people improve their ability to function socially and gain confidence in speaking after a TBI by drawing on my background in jazz and drum set percussion/improvisation.
Shared Time Jazz: Listening Sessions for People with TBI
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And then my mother joined when I was about 13, the Columbia Record Club. Have you ever heard of that? And the Columbia Record Club, if you guaranteed you'd buy a certain number of albums, they said they were monthly choices. So she she not only joined, but she got a free record player. And she said, 'Here, I'm going to give you this, and I'm going to give you the album that I got for you.' It was jazz, it was Brubeck's Red Hot and Cool. I must have… I was almost hooked immediately on him, and then we… Next, you know, the next, pretty soon I had Jazz Goes to College, and then I had Jazz at Oberlin, and all the early discs that he made, and ultimately, over the years, I had almost all his records. I really like Brubeck. And then… he came to town when I was in junior college. He played at a private club, and I was asked with another friend to come and take tickets. And we took tickets, and I ended up interviewing informally the whole quartet.
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I had to retire because of a stroke when I was about 56 years old. And I went through a major rehab for about four or five months at a rehab hospital in Chicago. And I slept on the couch. And I was told by the man at the rehab, he was just in their physical education room, and I thought he was just there to have us catch us when we couldn't get up, and so on. It was really a room full of people who are badly needed needed to be rehabbed. And so he told me, he said, "The only way you're ever going to get your voice back and not sound immediately like you were stroked-through by your sound, which tends to be a monotone, is to sing." And so, I started as soon as I came home in about August. I began to sing every song I'd ever heard from the 20s, 30s, 40s, "Tin Pan Alley" all the way.
Anthony Amoratis: Do you think it brought back, like, kind of your self-expression in a way? Because you were talking about how it was monotone before, and it helped get you out of that speaking pattern?
William: Yeah. Yes, that that was a I think that was that was decisive. And I ran around the golf course. I didn't really run so much as lean forward and pretend to jog...
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